六朝“任诞”与文学批评  

The Six Dynasties’ Absurdity and Literary Criticism

作　　者：袁济喜[1] Yuan Jixi

机构地区：[1]中国人民大学国学院

出　　处：《中国高校社会科学》2019年第6期115-126,157,共13页Social Sciences in Chinese Higher Education Institutions

摘　　要："任诞"出自《世说新语》,是指出现在魏晋时代的一种社会现象,它在士人阶层流行,特点是对于两汉世俗礼教的反拨,它通过饮酒、访友、音乐欣赏、自挽等怪诞方式表现出来,是名士风流的主要表征。它对于文学批评领域产生了一定的影响,对于《文心雕龙》的理论构建亦有所浸润。对于这种任诞现象及其文学批评意义的认识,是今天值得关注的课题。Absurdity originated from Shi Shuo Xin Yu, which is referred to a social phenomenon that ap-peared in the Wei and Jin Dynasties. It was popular among the intellectual stratum.Its characteristic was thebackwash to the secular etiquette in the two Han Dynasties. It was the main form of celebrities’ romance mani-fested by the grotesque ways of drinking, visiting friends, music appreciation, self-mourning and so on.It hadexerted a certain influence in the field of literary criticism and infiltrated the theoretical construction of Wen Xin Diao Long. The understanding of this absurd phenomenon and its significance in literary criticism are re-search subjects deserving our attention today.

关 键 词：六朝任诞 《世说新语》 人文蕴涵 文学批评 

分 类 号：I206.2[文学—中国文学]