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作 者:黄天骄 杨桢[1] HUANG Tianjiao;YANG Zhen(Beijing University of Chinese Medicine,Beijing China 100029)
机构地区:[1]北京中医药大学
出 处:《中医学报》2019年第11期2292-2294,共3页Acta Chinese Medicine
基 金:北京市“3+3”李庆业名老中医工作站资助项目(2015-JC-31);中国中医科学院自主选题项目(YZ-1801)
摘 要:现代整理方歌多以汪昂《汤头歌诀》为蓝本,基本抛去了陈修园方歌存剂量舍方名的编纂特点。不过,陈修园的歌诀对于研习经方仍不可或缺,而在方歌中适当地加入药物配比,也是有必要的。另外,《汤头歌诀》已不能满足现代方剂教学的要求,除汪昂未收的方剂,那些在近现代行之有效的"时方"也有编纂歌诀,须与之匹配。Most of the modern collation of prescription poetry is based on Wang Ang’s Tangtou Gejue,which basically leaves out the compilation features of Chen Xiuyuan’ s prescription poetry,which keeps the dosage and removes the name of prescriptions.However,Chen Xiuyuan’s prescription poetries are still indispensable for the study of classical prescriptions,and it is also necessary to properly add drug proportion to the prescription poetries. On the other hand,Tangtou Gejue can no longer meet the requirements of modern prescription teaching. In addition to the prescriptions that Wang Ang has not received,those " Shi Fangs" that are effective in modern times also have editorial prescription poetries that must be matched.
关 键 词:方歌 陈修园 汪昂 仲景方歌 《汤头歌诀》 《长沙方歌括》 《金匮方歌括》 《时方歌括》 《伤寒真方歌括》 方剂学
分 类 号:R222.17[医药卫生—中医基础理论]
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