父亲的担当——论电影《全能囧爸》《失孤》《夜孔雀》中的父子伦理  

Father’s Responsibility:On the Ethics of Father and Son in the Movies “Lost Father”,“Lost Orphan” and “Night Peacock”

作　　者：牛殿庆[1] NIU Dianqing(Ningbo City Polytechnic,Ningbo,Zhejiang 315100,China)

机构地区：[1]宁波城市职业技术学院

出　　处：《宜宾学院学报》2019年第11期103-110,共8页Journal of Yibin University

基　　金：2016年浙江省哲学社会科学规划常规性立项课题“社会主义和谐价值观视域下的和谐家庭伦理剧研究”(16NDJC300YBM)

摘　　要：用"责任担当"一词定义《全能囧爸》《失孤》《夜孔雀》中的"父爱"太轻了,这三部电影中的父爱既有父亲的担当又有母性的偏执疯狂,是不同寻常的父爱。三部电影里父亲对儿子怀有深深的愧疚,儿子既是套在他们头上的沉重枷锁,更是支撑他们活下去、前进的唯一动力。中国电影紧跟城市化的脚步,在塑造底层小人物的形象时,关注家庭的悲欢离合,努力突出父亲在家庭的承担,从而在父之爱中缓解了他们所处的生活困境。The definition of "father’s love"in "Lost Father","Lost Orphan" and "Night Peacock"with the word of "responsibility"is too light. The father’s love in these three movies has both father’s responsibility and maternal paranoia,which is an unusual father’s love. In the three films,the father is deeply sorry for his son,who is not only the heavy shackle on his head,but also the only driving force to support him to live and move forward. Chinese films keep up with the pace of urbanization. In shaping the image of the little people at the bottom,they pay attention to the joys and sorrows of a family,and try to shape the image of the father in the family,so as to eliminate their life difficulties in the father’s love.

关 键 词：父亲 儿子 父子伦理 割舍 焦灼 温暖 

分 类 号：J905[艺术—电影电视艺术]