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作 者:魏威[1] 化夏 魏跃进[1] WEI Wei;HUA Xia;WEI Yue-jin(Daguan Museum,,Kaifeng University,Kaifeng 475004,Henan;Henan Museum,Zhengzhou 450002,Henan)
机构地区:[1]开封大学大观博物馆,河南开封475004 [2]河南博物院,河南郑州450002
出 处:《开封大学学报》2019年第2期24-28,共5页Journal of Kaifeng University
摘 要:"四喜"吉祥纹样是共用形的典范,对古今中外共用形的设计影响较大,"四喜"类共用形已成为美术学、民俗学与传播学重点关注的一个对象。对中原地区出土的宋代"四喜"类陶模与宋代"四喜"题画诗进行横向比较研究后,可以推断,宋代中原地区已使用并流行"四喜"吉祥纹样。分析探讨"四喜"吉祥纹样对"四喜"类共用形研究有一定的参考价值。The auspicious pattern of "Four Happiness"--the four greatest joyful moments in Chinese life"--is a typical model of the communal shape,which greatly influences the design of the communal shape both in ancient and modern times,and it has already become a significant subject in the study of fine art,folklore and mass communication at home and abroad.This article makes a systematic and inductive analysis toward the pottery mold related to "Four Happiness" unearthed in the central plains area in the Song Dynasty,and tries to make a transverse contrastive study by comparing "Four Happiness" auspicious pattern with the poem inscribed on the painting related to "Four Happiness" in the Song Dynasty with the attempt to certify the use and popularity of "Four Happiness"auspicious pattern in the central plains area in the Song Dynasty,which provides a certain reference value for the correlation research of the communal shape related to "Four Happiness".
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