《西游记》和《大话西游》孙悟空形象之比较  

Comparison of the Images of Sun Wukong in Journey to the West and A Chinese Odyssey

作　　者：郭浩健 GUO Haojian(School of Literature,Liaoning Normal University,Dalian 116000,China)

机构地区：[1]辽宁师范大学文学院

出　　处：《淮海工学院学报（人文社会科学版）》2019年第11期33-36,共4页Journal of Huaihai Institute of Technology(Humanities & Social Sciences Edition)

摘　　要：从《西游记》到《大话西游》,无论是人物形象还是艺术特征都发生了翻天覆地的变化,孙悟空作为两部作品的灵魂人物,其形象的比较一直是学术界争论颇多的问题。原著中机智勇敢、神通广大的齐天大圣孙悟空,到了后现代影片《大话西游》中,成了有情有欲的人物。《大话西游》中的孙悟空之所以能够成为经典孙悟空在新时代下的化身,关键在于为其注入了新的时代精神,高度契合大众的审美趣味和时代主题,使得孙悟空形象再次焕发生机,获得永恒生命力。FromJourney to the West to A Chinese Odyssey, earth-shaking changes have taken place in both the characters and artistic features. As the soul of the two works, the comparison of Sun Wukong’s images has always been a controversial issue in academia. Sun Wukong, the clever, brave and miraculous Monkey King in the original work, became a sentient being in the postmodern movie A Chinese Odyssey. The key to Sun Wukong’s becoming the incarnation of the classic Sun Wukong in the new era lies in injecting a new spirit of the times into him, highly conforming to the public’s aesthetic taste and the theme of the times, making Sun Wukong’s image once again full of vitality.

关 键 词：《西游记》 《大话西游》 孙悟空 至尊宝 

分 类 号：I207.414[文学—中国文学]