Nation, Religion, and Su Xuelin's Transmedia “World-Building” Projects  

作　　者：Zhange NI 

机构地区：[1]Department of Religion and Culture,Virginia Tech College,Blackburg,VA 24061,USA

出　　处：《Frontiers of Literary Studies in China-Selected Publications from Chinese Universities》2019年第3期405-439,共35页中国高等学校学术文摘·文学研究（英文版）

摘　　要：This paper studies Su Xuelin's imaginative and scholarly writing from the 1940s to the 1980s as a series of projects aimed at building a utopian world to rec on cile the conflicting claims of Chinese nationalism and her Christian faith.In her short stories celebrating the Ming loyalists,Confucian and Catholic,who defended the Manchus unto death,she highlighted the image of the mountain as the center of their moralpolitical universe.She continued to work on the mountain in her scholarly articles and,under the influe nee of the European school of Pan.Babylonianism,traced the origin of Mount Kunlun,the Biblical Eden,and other sacred mountains to ancient Mesopotamia.On this basis,she postulated that Qu Yuan produced his rhapsodies by drawing from the repository of world mythologies brought to him by ancient migrations,the forgotten foundation of the Chinese civilization.Although Su's work is limited to the medium of print culture,her seemingly disconnected projects coalesce to enact a fantastical world mediating diverse times and places.A representative of the Chinese Catholics,a knowledge community actively participating in what Henry Jenkins calls trans-media world-building,Su reimagined China and Christianity as both located in a global network of migrations and mutations.

关 键 词：NATIONALISM CATHOLICISM Pan-Babylonianism comparative MYTHOLOGY trans-media world-building HUANG Daozhou QU Shisi QU Yuan Su Xuelin 

分 类 号：H31[语言文字—英语]