Sensuous Past: Historical Imagination and Transmedia Aesthetics in Modern China  

作　　者：Stephanie SU 

机构地区：[1]Department of Art and Art History,University of Colorado Boulder,Boulder,CO 80309,USA

出　　处：《Frontiers of Literary Studies in China-Selected Publications from Chinese Universities》2019年第3期440-474,共35页中国高等学校学术文摘·文学研究（英文版）

摘　　要：This paper examines the visual representation of the famous poem The Song of Everlasting Sorrow in modern China.Painted by Li Yishi in 1929,this sequential set of paintings was based on the Tang poet Bai Juyi's poem,written under the same title.First shown at the National Art Exhibition in Shanghai and then published as an illustrated book in 1932,Li's work rekindled public imagination of the tragic romance.Li's choice of subject,format,as well as style and its mixed reviews raise crucial questions regarding the notion of realism and the authenticity of historical representation.This paper argues that Li's work revealed new transmedia aesthetics and cross-cultural fascination with China's past that shaped the cultural identity of East Asia in the early twentieth century.

关 键 词：Li Yishi The SONG of Everlasting SORROW Yang Guifei HISTORICAL representation transmedia AESTHETICS REALISM SENSORY experiences 

分 类 号：H31[语言文字—英语]