《美国志》中的形象与后现代那喀索斯  

Image and Postmodern Narcissus in Don DeLillo’s Americana

作　　者：沈非[1] Shen Fei(School of Foreign Lan guages,Beihang University,Beijing,China,100083)

机构地区：[1]北京航空航天大学外国语学院

出　　处：《当代外国文学》2019年第3期5-12,共8页Contemporary Foreign Literature

基　　金：中央高校基本科研业务费专项资金资助(YWF—17—SK—G—22)

摘　　要：美国小说家唐·德里罗长篇处女作《美国志》是其首部"后现代状况小说",呈现了"图像转向"趋势下形象的社会功能和影响。后现代社会中,形象的社会作用已偏离传统理论分析范畴,麦克卢汉在《理解媒介》中重写的那喀索斯神话提供了相应的解读新范式,他提出形象延伸、麻痹和伺服机制等概念,有助于分析《美国志》中反复出现的"后现代那喀索斯"意象及其形象宰制寓意。《美国志》中,"第三人称"形象成为新的宗教偶像麻痹与控制人,将其困于形象封闭环路中;人成为背负供奉形象的伺服机制。Laying a cornerstone for his "fiction of Postmodern Condition," American novelist Don DeLillo’s first novel Americana presents the social function and effect of image which defy analyses with traditional theories at the pictorial turn.Marshall McLuhan rewrote the myth of Narcissus in his Understanding Media, providing a new paradigm to understand image in the postmodern society.McLuhanite concepts such as extension, numbness and servomechanism offer a new approach to reading Americana and understanding its recurring "Postmodern Narcissus" imagery which mirrors the theme of control by image: the image of "the third person" as the icon of the new religion that numbs and encloses man in the endless circuit of images, reducing him to its carrier and servomechanism.

关 键 词：《美国志》 唐·德里罗 麦克卢汉 形象 伺服机制 

分 类 号：I20[文学—中国文学]