进入现场的写作与知识分子的自我观照——从邵丽、孙惠芬看女性作家乡村书写的一种路向  

Documentary Writing and Self-reflection on Intellectuals——Taking Shao Li and Sun Huifen as Examples to Look at one of the Tendency of Female Writers’ Rural Writing

作　　者：陈晨[1] Chen Chen(Zhengzhou University)

机构地区：[1]郑州大学文学院

出　　处：《写作》2019年第5期34-41,共8页Writing

摘　　要：邵丽的“挂职系列小说”与孙惠芬的《生死十日谈》均建立在作家对于当下乡村生活真实参与的基础上,具有强烈的纪实性。她们有别于传统现实主义中那种自上而下的俯视姿态和严谨的写实手法,而是将自己置身于驳杂纷乱的乡村现场,既能够直面当下乡村发展中的诸多矛盾,同时又立足于多样的生命诉求和复杂的现实生活基础,力图在众声喧哗中接近生活的本相。邵丽和孙惠芬对知识分子的自我观照也是这类小说中的重要组成部分。她们对于当下知识分子与大众之间的隔膜有着清醒的认知,同时又主动寻找与他者之间在生命上的内在关联,并由此完成了对自我的丰富。邵丽和孙惠芬的写作具有敢于直面现实的勇气和知识分子的责任担当,她们的写作融入了女性经验又体现出超性别的视野,对于现实主义的乡土书写富有启示意义。Shao Li's"temporary work series"and Sun Huifen's Ten Days of Life and Death Talk are both based on the writers’real participation in the current rural life.They are different from traditional realism with top-down perspective and rigorous writing methodology by putting themselves to the complex scene.They can not only face up to many contradictions in the current rural development,but also base their writing on diverse demands for real life.They try to get close to the truth of things from the different voice.Shao Li and Sun Huifen's self-reflection on intellectuals is one important part of this kind of novel.They have a clear understanding of the current gap between intellectuals and the public,but at the same time,they try to enrich themselves by finding the inner connection with others in life.They have the courage to face the reality and the responsibility of intellectuals.Their writing integrates the experience of women and embodies the vision of Transcending gender,which has the enlightenment significance to the local writing of realism.

关 键 词：邵丽 挂职系列小说 孙惠芬 《生死十日谈》 乡村书写 

分 类 号：I106[文学—世界文学]