论伍尔夫小说《奥兰多》中花园意象的生态女性思想  

An Ecofeminist Analysis of Gardens in Virginia Woolf’s Orlando

作　　者：仇小萌 QIU Xiao-meng(School of Basic Courses,Beijing Electronics Science&Technology Institute,Beijing 100176,China)

机构地区：[1]北京电子科技职业学院基础学院

出　　处：《青岛农业大学学报（社会科学版）》2019年第4期81-85,共5页Journal of Qingdao Agricultural University(Social Science)

摘　　要：伍尔夫的小说《奥兰多》一直以其双性同体理论和传记小说的体裁特征备受关注。从生态女性主义的批评视角来解读,花园是小说的主题意象之一,作家以花园为依托,探讨了人与自然、男性与女性、文明与自然的关系。伊丽莎白时代的贵族花园是人类中心主义的缩影,任何生活在其中的人都难以逃脱男权文化的禁锢;原始广袤的土耳其花园展现了自然的伟大和恢弘,唤醒了主人公身上的女性意识;流动开放的城市花园是女性与自然进行交流和对话、寻找自我的天地;风景秀丽、文化底蕴深厚的老宅花园是文明与自然融合的典范,人与自然、男性与女性、文明与自然没有边界,水乳交融、和谐共生。Woolf’s novel“Orlando”has always received much attention with its bisexual theory and the genre characteristics of biographies.From the perspective of ecological feminism,the garden is one of the themes of the novel.The writer relies on the garden to explore the relationship between man and nature,men and women,civilization and nature.The aristocratic garden of the Elizabethan era is the epitome of anthropocentrism,where it is difficult for anyone to escape the imprisonment of patriarchal culture.The original vast Turkish gardens show the greatness and grandeur of nature,awakening the female consciousness of the protagonist.The city garden is a place where women communicate and dialogue with nature and find themselves.The old house garden with beautiful scenery and profound cultural heritage is a model of the integration of civilization and nature.There is no boundary between man and nature,men and women,civilization and nature,where exist harmonious symbiosis.

关 键 词：伍尔夫 奥兰多 花园 自然 生态女性意识 

分 类 号：I106.4[文学—世界文学]