从《春江花月夜》看初唐文化的时代精神  

On the Spirit of the Times of the Early Tang Dynasty Culture from A Moonlit Night on the Spring River

作　　者：张茜[1] 张燕[2] ZHANG Qian;ZHANG Yan(School of International Education,Xi'an Jiaotong University,Xi'an 710049,China;Cultural Tourism Research Center,Shaanxi Academy of Social Sciences,Xi'an 710065,China)

机构地区：[1]西安交通大学国际教育学院,西安710049 [2]陕西省社会科学院文化旅游研究中心,西安710065

出　　处：《唐都学刊》2019年第6期5-9,共5页Tangdu Journal

基　　金：2018年陕西省社会科学基金项目:“留学生讲好中国故事的理论与实践探索研究”(2018Q14)阶段性成果

摘　　要：初唐诗人张若虚仅凭一首《春江花月夜》就成为大家,堪称中国文学发展史上的第一人。在这首诗作中,融诗情、画意与哲思三者于一体,以极高的艺术特色与审美价值,赢得“孤篇压全唐”的美誉。《春江花月夜》折射出初唐时期特定的文化内涵,从中可窥探到初唐时期世人对生命源头的探索与追问,涅槃重生后的处世心态,对宇宙意识的哲理思考,这对生活在当今时代的人们找寻生命的自我建构与价值有着十分重要的启示意义。Zhang Ruoxu,a poet of the early Tang Dynasty,became known as a great master in the history of Chinese literature for a single poem,entitled A Moonlit Night on the Spring River.He blended poetic sentiments,beauty and philosophical thoughts perfectly in this poem with high artistic characteristics and aesthetic value,having won the reputation of“A single poem tops over the whole literary world in the Tang Dynasty”.This poem has reflected the specific cultural connotation of the early Tang Dynasty,explored and inquired about the source of life and their mentality after rebirth and philosophical thinking on the consciousness of the universe,which is of very important revelatory significance for today's people to seek after the self-construction and value of life.

关 键 词：《春江花月夜》 初唐文化 宫体诗 七言体 文学史 

分 类 号：I222.7421[文学—中国文学]