从明诗选本看明初诗学的传播及意义  

The Spreading and Significance of Early-Ming Poetry Based on Collections of Ming Poetry

作　　者：潘林 PAN Lin(Institute of Economic,Social,Historical and Cultural Studies,Zhaoqing University,Zhaoqing 526061,Guangdong,China)

机构地区：[1]肇庆学院肇庆经济社会与历史文化研究院

出　　处：《武汉理工大学学报（社会科学版）》2019年第6期157-164,共8页Journal of Wuhan University of Technology:Social Sciences Edition

基　　金：教育部人文社科基金项目“明代七子派接受史研究”(12YJA751051);肇庆市2015年度社科规划项目(15ZC-07)

摘　　要：明初诗学对后期诗坛产生重要的引领作用,它不仅快速纠正了宋元以来诗坛的绮靡之风,使得诗歌以风雅为审美核心的传统得以继续深入传播,还延续了业已中断的阳刚阴柔两大诗歌风格,也因此才使得明清诗坛出现了丰富多彩的诗学思想和此起彼伏的诗歌流派。纵观整个古代中国,还没有哪个时期能像明清诗坛那样使复古思想如此长久地影响着诗歌创作,而这一切又当与明初不断深层次的刺激密不可分。The early Ming poetry placed an important and leading impact on poetic circle of late period.It not only corrected the fashion of gorgeousness in poetic circle since Song and Yuan Dynasty,enabling the poetic tradition surrounding the aesthetic core of grace to spread further,but also continued the two poetic styles of masculinity and femininity that have stopped whereby rich and colorful poetic thought and schools appeared one after another.Looking back on the whole ancient China,no period could exerted such a profound influence on poetic creation as retro thought,while all these have close relations with the continuous and in-depth stimulation in the early Ming Dynasty.

关 键 词：明诗选本 风雅 复古 刚柔相济 

分 类 号：I207.22[文学—中国文学]