一种舶来话语的在地化历程——论《银星》杂志的“新英雄主义”影剧观  

The Localization of a Foreign Discourse: The Cinematic Philosophy of "New Heroism" of the Silver Star Magazine

作　　者：赵轩 ZHAO Xuan

机构地区：[1]江苏师范大学传媒影视学院

出　　处：《文化艺术研究》2019年第4期96-105,共10页Studies in Culture and Art

摘　　要：《银星》于1926 年前后鼓吹之“新英雄主义”影剧,一度被认为是罗曼 罗兰人道主义的中国化产物,但这一理念经历了相对曲折的在地化历程。《银星》受北伐革命的战火形势影响,在对“新英雄主义”的阐释中附加了更多关于革命狂热与领袖崇拜的话语意蕴,并将其与“平民影剧”运动相结合,投射出“群己之辩”的传统文化内涵。然而,此时的影评人投机党派政治、固守文化精英身份,使得“新英雄主义”影剧论丧失了电影批评应有的艺术诉求,更消解了其发动民众的社会功利目的,最终沦为空洞的口号。Around 1926,the Silver Star Magazine purposed"New Heroistic"films which were considered a localized product of Romain Rolland's humanism.Due to its social background,Silver Star's interpretation of New Heroism combined the discourse of revolution and idolization,integrated into the campaign of"grass roots films",and revived the traditional topic of"the self versus society".Yet the critics of the time involved in politics,defined themselves as cultural elites,and gave up the artistic and social ideal of New Heroistic films.

关 键 词：“新英雄主义”影剧 《银星》 罗曼罗兰 “群己之辩” 

分 类 号：J901[艺术—电影电视艺术]