人鱼恋新曲——《水形物语》中的异托邦空间  

A New Mermaid Love: The Heterotopia in The Shape of Water

作　　者：张建荣 宋国傲 ZHANG Jianrong;SONG Guoao(School of Humanities and Social Science,University of Science and Technology of China,Hefei 230026,China;School of Foreign Languages,Anhui Agricultural University,Hefei 230036,China)

机构地区：[1]中国科学技术大学人文与社会科学学院,安徽合肥230026 [2]安徽农业大学外国语学院,安徽合肥230036

出　　处：《湖北文理学院学报》2019年第12期58-61,共4页Journal of Hubei University of Arts and Science

基　　金：2017年国家留学基金委高校青年骨干教师出国研修项目(201708775013);安徽省教育厅人文社会科学重点项目(SK2015A341);安徽省2018年省级大学生创新创业训练计划项目(201810364150);安徽农业大学2018年校级大学生创新创业训练计划项目(XJDC2018321)

摘　　要：与传统的人鱼恋不同,获得2018年度奥斯卡最佳影片和最佳导演的美国电影《水形物语》更多反映的是以清洁工伊莉莎和作为实验对象的“水神”(半人类的两栖生命)所代表的边缘人物在异托邦空间里对现代城市生活、对实验室代表的科技和权威的抵制和反抗。伊莉莎和“水神”最终成功逃离异托邦,进入了乌托邦。Unlike a film of traditional mermaid love,The Shape of Water,which won the best picture and best director of 2018 Academy Award,is more about the resistance and rebellion against the modern urban life and the technology and authority represented by the laboratory in the heterotopic space by the marginal people represented by Elisa,the cleaner,and the“Water God”(semi-human amphibian)as the subject of the experiment.Elisa and the“Water God”finally succeeded in fleeing from the heterotopia into the Utopia.

关 键 词：人鱼恋 《水形物语》 异托邦 

分 类 号：J905[艺术—电影电视艺术]