新中国70年山水画对“城市”的表现  

Analysis of the Urban Representation in Chinese Landscape Paintings of Past 70 Years

作　　者：陈端[1] 

机构地区：[1]福建师范大学美术学院

出　　处：《美术》2019年第12期104-109,共6页Art Magazine

摘　　要：新中国成立以来,以城市为题材内容的山水画拓展了中国画的学术领域和表现空间,是70年来中国画创作最有价值、最受瞩目的实践之一。在社会城市化和现代化的背景下,画家对于以中国画表现现代城市作出了积极探索。与以往的山水画相比较,无论从创作规模、群体构成、地域分布来看,城市题材山水画都有了长足的突破和发展,逐渐形成了多元化视角,不管是对城市景观的展现、城市生活叙事、家国和异域情结的诗意追寻,还是城市情境的个性化表达,多重视角下的城市山水画图像都记录了时代和社会的真实动态,也充分展现了艺术家对城市生活的情感和思考。Since the founding of Peoples Republic of China,the urban landscape painting,which has expanded the academic field and diversified the subjects of Chinese painting in the new period,is undoubtedly one of the most valuable practices of contemporary Chinese painting.Under the background of urbanization and modernization,Chinese painters have made an exploration of representing modern urban life by means of traditional Chinese painting,and have achieved great breakthroughs in terms of academic scale,group construct and geographical distribution of this artistic genre.After decades of exploration,the urban landscape painting has gradually formed diverse perspectives.And from those perspectives,such as the representation of urban landscape,the narrative of urban life,poetic pursuit of patriotic and exotic complex and the stylized expression of urban scenes,the status and trends of era and society are faithfully depicted by urban landscape paintings and artists1 emotion and contemplation toward contemporary urban life are fully presented.With the opportunities and challenges brought by the future urban development,the academic prospect of urban landscape painting is worthily expected.

关 键 词：城市山水画 城市化进程 都市景观 多元视角 

分 类 号：J209[艺术—美术]