关索戏:宗教性追求与戏曲化表征  

Guansuo Opera: Religious Pursuits and Dramatic Representations

作　　者：王佳磊[1] WANG Jialei(Editorial Department of the University Journal,Yunnan Arts University,Kunming,Yunnan 650500)

机构地区：[1]云南艺术学院学报编辑部

出　　处：《贵州大学学报（艺术版）》2019年第6期58-61,共4页Journal of Guizhou University Art Edition

摘　　要：关索戏又名“关索土戏”,目前仅留存于澄江县阳宗镇小屯村。长期的民间业余形态、文人雅士的漠视,以及文革期间资料的毁灭,使关索戏留下的文献极少,其源起、形成时间、得名缘由已难于考证。一般认为,关索戏属于军傩的一支,源于明初平定云南,屯兵移民,从我国南方地区移植而来的“傩戏”,后在云南渐次演化为“关索戏”。关索戏的演出保留着一系列的请神、酬神、送神的仪式活动,另一方面,其面具、表演形式、演出剧目等均受戏曲艺术的长期濡染与影响。小屯关索戏既有傩仪“驱邪逐疫、祈福禳灾”的宗教精神,又有戏曲搬演故事,娱乐大众的艺术追求,被誉为中国戏剧的活化石,具有很高的历史文化价值和民俗鉴赏价值。Guansuo Opera also known as Guansuo Local Opera nowadays only exists in Xiaotun Village,Yangzong Town,Chengjiang County,Yunnan Province.It is hard to research its origin,development time and naming due to the inadequate literatures.It is generally believed Guansuo Opera is a branch of the military Nuo Opera,which originated in the early Ming Dynasty when troops were stationed in Yunnan as the immigrants after the pacification during which Nuo Opera from the South China developed into Guansuo Opera in Yunnan.The performance of Guansuo Opera still keeps a series of ceremonies like inviting,thanking and seeing the deities off.On the other hand,its masks,performance forms and performance repertoire have been influenced by Chinese operas for a long time.Guansuo Opera in Xiaotun Village contains both strong religious spirits and entertaining artistic pursuits.Thus,Guansuo Opera is known as the living fossil of Chinese Opera with great historical and cultural value and artistic value in folklore appreciation.

关 键 词：关索戏 宗教祭祀 戏曲化 文化价值 

分 类 号：J825[艺术—戏剧戏曲]