唐代敦煌壁画婚嫁图中的乐舞文化——以莫高窟第445窟为例  

The Music and Dance Culture in the Marriage Drawings of Dunhuang Murals in the Tang Dynasty——Taking Cave 445 of Mogao Grottoes as an example

作　　者：吴林烜 Wu Lin-xuan(College of Music,Northwest Normal University,Lanzhou Gansu 730070)

机构地区：[1]西北师范大学音乐学院

出　　处：《河西学院学报》2019年第6期26-32,共7页Journal of Hexi University

基　　金：2018年度国家社科基金艺术学项目“‘一带一路’视野下的敦煌石窟乐舞文化研究”（项目编号：18CD176）

摘　　要：本文以莫高窟第445窟《婚嫁图》中的小型乐队为主要研究对象,结合相关文献对比考证该窟《婚嫁图》中的乐人、乐器及乐器组合情况,证明敦煌壁画中所绘《婚嫁图》与历史文献及敦煌遗书中婚嫁用乐习俗的记载一致,婚嫁礼仪中诗词对咏及其仪式,体现出敦煌壁画婚嫁习俗受中原文化、敦煌地方风俗及民族交融的影响。This paper takes the small band in the“Marriage Drawings”of Cave 445 of Mogao Grottoes as the main research object,and compares the related literature to verify the combination of musicians,musical instruments in the pictures of the cave to prove the Dunhuang murals.The“Marriage Drawings”is consistent with the historical documents and the customs of marriage and marriage in Dunhuang posthumous writings.The poetry confrontation and rituals in the marriage etiquette reflect the influence of Dunhuang mural marriage customs on the central plains culture,Dunhuang local customs and ethnic blending.

关 键 词：唐代 敦煌壁画 婚嫁图 乐舞 

分 类 号：K870.6[历史地理—考古学及博物馆学]