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作 者:崔亚莉[1] 李东强[2] CUI Ya-li;LI Dong-qiang(College of Arts,Longdong University,Qingyang 745000,Gansu;The First Middle School of Qingyang,Qingyang 745000,Gansu)
机构地区:[1]陇东学院文学院,甘肃庆阳745000 [2]庆阳一中,甘肃庆阳745000
出 处:《陇东学院学报》2019年第6期67-70,共4页Journal of Longdong University
基 金:甘肃省教育科学规划项目(QY2017_517)
摘 要:当代美国悬疑侦探剧中极具女性主义意义的女侦探角色的设置让其进入到女性主义视域。在女性取得了选举权、受教育权、财产权等基本人权后,女性主义也逐渐发展成熟,不再如前期一般激烈地强调男女之间的对立,也不再偏颇地将男女平等理解为“男女都一样”而抹杀女性性征,而是在承认差异性的基础上积极地寻求两性的和谐共存。探讨后现代女性主义语境中当代美国悬疑侦探剧对于姐妹情谊和双性和谐的建构。The role of female detective in the contemporary American suspense detective drama has brought it into the perspective of feminism.After women have acquired the basic human rights such as the right to vote,the right to education and the right to property,feminism has gradually developed and matured.It no longer emphasizes the opposition between men and women as fiercely as it did in the earlier stage,nor takes the equality of men and women as“the same as men and women”to eliminate women’s sexuality,but actively seeks the harmonious coexistence of men and women on the basis of recognizing the differences.This paper will discuss the construction of sisterhood and Androgyny in the context of postmodernism.
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