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作 者:黄婧琳 毛键源 杨奔 Huang Jinglin;Mao Jianyuan;Yang Ben
机构地区:[1]同济大学建筑与城市规划学院 [2]广西南国体育投资集团有限责任公司
出 处:《华中建筑》2020年第1期1-4,共4页Huazhong Architecture
摘 要:长谷川逸子与妹岛和世以"公园式建筑"阐述其建筑观。作为日本颇具代表的两位女性建筑师,其作品以关怀、包容、细腻、开放的姿态,使建筑消解其体量,与景观、城市外部空间融合。在呼吁城市需拥有更多开放公共性空间的当代中国,"公园式建筑"理念值得剖析。该文以日本"公园式建筑"为研究对象,通过长谷川逸子和妹岛和世的公园式建筑作品及思想,将其分为萌芽和成熟两阶段。并进一步析理公园式建筑空间的性质与特征,及其作为城市公共空间的意义与价值。Hasegawa Itsoko and Kazuyo Sejima described their architectural views with "garden architecture". As two representative female architects in Japan, their works take a caring, tolerant, delicate and open attitude to make the architecture deconstruct its volume and integrate with the landscape and urban external space. In contemporary China, it calls for cities to have more open public space, the concept of "park architecture" is worth analyzing. Taking Japanese "park architecture" as the research object, we divide it into two stages of germination and maturity through the park architecture works and thoughts of Hasegawa Itsoko and Kazuyo Sejima. Furthermore, we explore the nature and characteristics of the park style architectural space, as well as its significance and value as urban public space.
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