20世纪90年代诗歌的“及物”倾向  

Transitive Trends of Poetry in 1990s

作　　者：邱志武 Zhiwu Qiu

机构地区：[1]大连民族大学文法学院

出　　处：《文学与文化》2019年第4期71-78,共8页Literature and Culture Studies

基　　金：教育部人文社会科学研究项目“百年新诗‘跨文体写作’演进及形式伦理研究”（项目编号：17YJC751046）;辽宁省社科规划基金项目“新世纪东北现实主义诗歌研究”（项目编号：L17BZW011）的阶段性成果

摘　　要：诗歌由"纯诗"走向"及物",是20世纪90年代复杂的社会语境造成的。由于现实的挤压,诗歌不得不主动应对,鉴于现实对诗歌过于束缚造成"诗艺"不足的教训,诗人开始通过"及物"来抵达现实,诗歌中所呈现的这种现实性在于现实主义精神在新的时代语境下的调适。"及物"着重表现为事物性、经验性,具有叙事性、个人化表达的特点。通过"及物",诗歌增强了触动现实的能力,不仅重置了对现实的发言,而且拓展了诗歌的表现空间。但需注意的是,"及物"表现内容有一个限度问题,同时表现内容和使用技巧要彼此应和。The complex social context led the poetry from pure poetry to transitive poetry in 1990 s. Poets had to accept the challenge in the condition of rising realism, attempting to make use of transitivity in the poem to deal with the real life as they had learned from history that art of poetry is not strong enough to deliver poets’ feeling if it is much fettered by the bounds of reality. The transitivity in poetry manifests the characteristics of transaction, narration, experience and individual expression. The application of transitivity in poetry strengthens the ability of poetry to reflect the reality. It resets poets’ view on reality and broadens the space of expression of poetry. But we should be aware that there is limitation to the content of transitivity in poetry and the skill of transitivity should match the content of poetry.

关 键 词：纯诗 20 世纪 90 年代诗歌 及物 现实主义精神 

分 类 号：I20[文学—中国文学]