唐宋时期白衣观音图像在四大区域的发展与演变  

On the Evolution of the Images of Guanyin in White in the Four Regions in Tang and Song Dynasties

作　　者：邓新航 龙红[2] Deng Xinhang;Long Hong

机构地区：[1]东南大学艺术学院,江苏南京210096 [2]重庆大学艺术学院,重庆401331

出　　处：《南京艺术学院学报（美术与设计）》2019年第6期27-35,I0006,共10页Journal of Nanjing Arts Institute:Fine Arts & Design

基　　金：重庆大学文科类跨学部跨学科项目“西南地区石窟艺术研究及其数字化应用建设”(CDJKXB12005)

摘　　要：唐宋时期是白衣观音图像形成与发展的重要时期,此间白衣观音图像的演变可划分为四大区域:巴蜀地区、江南地区、中原北方汉族地区,以及与宋并存的辽金西夏等北方少数民族政权地区。不同区域内的白衣观音图像在兴起时间、流行时间、信仰群体、造型样式等方面各不相同,具有鲜明的时代性和地域性特点。The Tang and Song Dynasties were an important period for the formation and development of the images of Guanyin in white.The evolution of the images can be divided into four regions:Bashu region,Jiangnan region,the Han Nationality region in the north of the Central China,and the northern minority regime regions such as Liao,Jin and Xixia coexisting with the Song Dynasty.The images of Guanyin in white in different regions are different in rising time,popular time,belief group,modeling style and so on,with distinct characteristics of the times and regions.

关 键 词：白衣观音 唐宋 辽金西夏 造型演变 地域特点 

分 类 号：J209[艺术—美术]