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作 者:崔唯[1] 钟连盛 王薇 Cui Wei;Zhong Liansheng;Wang Wei
出 处:《艺术设计研究》2019年第4期74-80,共7页Art & Design Research
基 金:2017年北京市社科基金重点项目《北京地区传统色彩体系、数据库建构及其设计应用研究》(编号:17YTA002)的阶段性成果
摘 要:景泰蓝是中国传统工艺美术的集大成者,也是元明清三朝的御用重器,其中清代景泰蓝的制作与艺术水平则处于古代史上的巅峰期。为了充分彰显色彩在清代景泰蓝发展过程中的特殊作用与艺术特点,本文从笔者近年来对国内外权威博物馆、机构等展出的清朝代表性遗物所做现场观察和釉色取样入手:一、结合历史文献和已有对清代景泰蓝色彩的研究成果,厘清了清代景泰蓝色彩的发展脉络;二、运用数据研究的方法,客观地揭示出其色彩应用特点;三、通过对其地色、纹饰色、鎏金色等的分析,归纳出了其在设色方面的艺术规律。Cloisonne is the epitome of traditional Chinese arts and crafts,and it is also the decorative articles owned only by royal families of Yuan,Ming and Qing Dynasties.The production and artistic level of Cloisonne in the Qing Dynasty was at the peak stage of the ancient arts and crafts history.In order to fully demonstrate the special function and artistic features of color in the development of Cloisonne in the Qing dynasty,this paper starts with the on-site observation and glazed color sampling from the representative works of the Qing Dynasty exhibited by authoritative museums and institutions at home and abroad in recent years.Firstly,it is the combination of historical documents and the research results of the Cloisonne color in the Qing Dynasty,attempting to get down to the development of Cloisonne color in the Qing Dynasty.Secondly,the method of data research was used to objectively reveal the characteristics of its color application in the Qing Dynasty.Thirdly,through the analysis of the ground shade,the color of decorative design and the color of gilding,its artistic rules in the use of color are summarized.
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