邵雍“击壤体”的体式特征及其诗坛反响  

On the “Ji Rang Style” of Shao Yong and Its Repercussion in Poetic Circles

作　　者：王培友[1] Wang Peiyou

机构地区：[1]北京语言大学

出　　处：《北方论丛》2020年第1期67-78,共12页The Northern Forum

基　　金：国家社科基金项目“两宋理学诗研究”(13BZW065)

摘　　要：“击壤体”及其诗派是客观历史存在,但“击壤体”并非在南宋末年才形成。作为重要的理学诗之诗歌范型,“击壤体”具有“达理”“闲适”“切理”等诗歌特征,其题材、内容及主题等非常丰富。“击壤体”诗作表达方式有多种构型,其诗歌形态亦有不受韵律、句式所限等属性特征。宋人在学习、模仿“击壤体”的重心及其取向上,表现出一定的倾向性。由此,“击壤体”在中国哲理诗发展史上具备了重要的诗歌范式价值和文学史地位。“Ji Rang(Throwing Clods)Style”and its poetic circles was an historic entity,but it was not formed in late Southern Song Dynasty as people usually think.As an important paradigm of Chinese poem,“Ji Rang Style”is characterized by“seeking universal law”,“leisurely”,“conforming to the universal law”.Its themes,contents and forms are various,and the style is not limited by rhyme and syntactical structure.Song-Dynasty literati demonstrated propensity to learn from and emulate“Ji Rang Style”,giving it a high standing among Chinese poem paradigms,as well as in the history of Chinese literature.

关 键 词：邵雍 “击壤体” 哲理诗 范型 

分 类 号：I207.22[文学—中国文学]