也谈王光祈的音乐观  

The Perception of Music by Wang Guangqi

作　　者：甘绍成[1] GAN Shaocheng

机构地区：[1]四川音乐学院音乐学系,四川成都610021

出　　处：《音乐探索》2020年第1期19-28,共10页Explorations in Music

摘　　要：王光祈(1892—1936)不仅是一位音乐学家和社会活动家,而且还是一位音乐思想家,他在音乐方面提出的不少见解和主张,至今对我国的音乐学研究仍有指导意义和借鉴价值。通过对王光祈音乐著述的研读,试从王光祈的音乐认识观、音乐实践观、音乐治学观、音乐民族观等方面进行探讨,以便对他的音乐观有更为全面的认识。Wang Guangqi,not only a musician and a social activist,but also a music thinker,has put forward a series of ideas and proposals which have been instructive and been providing reference for the studies of musicology in China.Based on a thorough study of Wang Guangqi’s writings,the article tries to establish a comprehensive understanding of Wang Guangqi’s perception of music from his views on music,musical practice,music research and musical nationalism.

关 键 词：王光祈 音乐认识观 音乐实践观 音乐治学观 音乐民族观 

分 类 号：J609.2[艺术—音乐]