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作 者:唐克扬 Tang Keyang
机构地区:[1]不详
出 处:《建筑创作》2019年第2期6-13,共8页ArchiCreation
摘 要:2010-2011年,笔者有幸参与了中国国家美术馆新馆国际建筑竞赛(以下简称“新馆竞赛”)的筹备和技术组织工作,这以后,又跟进了头名方案的深化修改过程。本文不是官方回顾,作为当事人之一,笔者仅对这次竞赛中涉及的几个重要问题做以简要评述。除了少数参赛方案已经公诸于众,竞赛的基础官方文献并未对外发表,有鉴于此,本文更多着墨于“纯粹建筑”以外的竞赛组织过程,检讨参赛建筑师对竞赛条件和竞赛语境的因应之得失。Over the period of 2010 to 20111 was honoured to participate in the preparation and technical organisation of the international architectural competition for the New National A rt Museum of China("the Competition"),and later also followed up the development and revision of the winning scheme.As it is not an official review,in this article,only a few key issues involved in the Competition will be touched upon.On account that the basic documents of the Competition have not been officially published except for schemes of a few entries,instead of the"architecture per se",I will focus more on the process of competition organisation and discuss the successes and failures of the participating architects in coping with the conditions and context of the Competition.
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