场景理论与文化艺术遗产的传承与创新——金元浦对话劳伦斯教授  

Scene Theory and Inheritance and Innovation of Cultural and Artistic Heritage: A Conversation between Jin Yuanpu and Laurence

作　　者：金元浦[1] JIN Yuan-pu(School of Humantities,Shanghai Jiaotong University,Shanghai 200030,China)

机构地区：[1]上海交通大学人文学院

出　　处：《北京联合大学学报（人文社会科学版）》2020年第1期25-29,共5页Journal of Beijing Union University(Humanities and Social Sciences)

基　　金：国家哲学社会科学基金重大项目“文化产业伦理”(项目编号:14ZDB169)

摘　　要：基于芝加哥学派的新范式场景理论和中国当前城市化发展进程中场景的空间架构,就如何创造众多新的社会文化和艺术形态,金元浦教育与劳伦斯教授展开了对话。对话主要关注了城市场景的文化风格和美学特征对城市发展的作用,特别是中国城市发展的文化、文脉、城市美学形态和城市艺术的展示。公共艺术、文化遗产和非遗的传播就是当今社会的一个重要场景。对话还探讨了城市如何在对文化价值的诉求和追寻中凸显开放视野下的个性精神,并对文化遗产、创意产品的发展路径提出了建议。In this article, the dialogue between Chinese and American scholars is based on the Chicago School’s new paradigm scene theory and the reality in China’s current urbanization development process: how the spatial structure of scenes has created many new social, cultural, and artistic forms. This article focuses on the cultural style and aesthetic characteristics of urban scenes, and their role in urban development. Particular attention is paid to the exhibition of the culture, context, urban aesthetics, and urban art of Chinese urban development. The dissemination of public art, cultural heritage, and intangible cultural heritage is an essential scene in today’s society. The dialogue explores how cities, in their pursuit of cultural value, show their individualistic spirit in an open perspective. The dialogue also makes suggestions on the development path of cultural heritage and creative products.

关 键 词：场景理论 新芝加哥学派 文化艺术遗产 非物质文化遗产 文化价值观 个体精神 

分 类 号：C912..81[经济管理]