苏曼殊小说的“双姝”模式与两难情境  

The “Two Perfect Women” Mode and Dilemma in Su Manshu’s Novels

作　　者：罗立群 郑祝荣 LUO Liqun;ZHENG Zhurong(School of Humanities,Ji’nan University,Zhuhai 519070,China)

机构地区：[1]暨南大学人文学院

出　　处：《苏州教育学院学报》2019年第6期2-7,共6页Journal of Suzhou College of Education

基　　金：广东省珠海市哲学社会科学规划项目（39660040）

摘　　要：苏曼殊小说以“言情”作为叙事内容和基本情节框架,往往有两条感情线,塑造了两个完美女性,男主人公在两女之间痛苦徘徊,艰难抉择,形成“双姝对峙”模式。男主人公情绪低落、孤独、忧郁,在现实社会与佛门之间游走,表现出“僧俗两难”情境。苏曼殊小说的情节、主题,源自作者成长经历中的创伤记忆及文化感伤。Su Manshu’s novels take“love”as the narrative content and basic plot frame.His novels often have two emotional lines,depicting two perfect women.The male protagonist lingers painfully between the two women,making hard choices,and forming the“confrontation between the two women”mode.The protagonist is depressed,lonely and melancholy.He wanders between the real society and Buddhism,showing the situation of“the dilemma between Buddhism and secularism”.The plot and theme of Su Manshu’s novels originate from the author's traumatic memory and cultural sentimentality.

关 键 词：苏曼殊 “双姝”模式 僧俗两难 创伤记忆 文化感伤 

分 类 号：I206.6[文学—中国文学]