汉代画像石上的后人隶书题刻  

Official Script Inscriptions of Later Generations on Portrait Stones in the Han Dynasty

作　　者：郑立君[1] ZHENG Li-jun(School of Fine Arts,Hangzhou Normal University,Hangzhou 310002,China)

机构地区：[1]杭州师范大学美术学院

出　　处：《美育学刊》2020年第1期69-77,共9页Journal of Aesthetic Education

基　　金：教育部人文社会科学研究规划基金项目“汉代画像石题榜隶书艺术研究”(17YJA760083)的阶段性成果

摘　　要：东汉以来有关汉代画像石祠堂、画像石及其图像、文字和社会价值意义的品评、考释、发掘、保护等跋语和立碑勒文,即后人的题刻,历代都有,特别是有许多现当代人用各种书体在拓片上题写的跋语。但直接在原石上镌刻跋语和立碑勒文的现象,主要出现在东汉、北魏、北齐、唐、宋和清代,现存山东长清县孝堂山画像石祠堂和嘉祥县武梁祠的隶书跋语与碑刻较为显著。汉代画像石上的后人题刻各有不同的思想意图,用以题刻的隶书水平也是东汉至清代隶书艺术发展的镜像之一。Since the Eastern Han Dynasty, the evaluation, examination, excavation and protection of the portrait stone ancestral halls, portrait stones as well as their images, texts and social values in Han Dynasty have been made in the following dynasties in the form of postscripts and inscriptions, especially the postscripts written on rubbings by modern and contemporary people in various styles. However, the inscriptions that are engraved in the original tablets, inscribed in other stones and recorded in the documents mainly appeared in the Eastern Han Dynasty, the Northern Wei Dynasty, Northern Qi, Tang, Song and Qing dynasties, of which the inscriptions written in official script calligraphy take up a large part. The famous official script inscriptions and relevant inscriptions and bibliographic records are preserved in Xiao Tang Shan Portrait Stone Ancestral Hall of Changqing County and Wuliang Ancetral Hall of Jiaxiang County in Shandong Province. The inscriptions on portrait stones in Han Dynasty are created for different ideas and intentions and these official script inscriptions also reflect the art development of official script from the Eastern Han Dynasty to the Qing Dynasty.

关 键 词：画像石 后人题刻 隶书艺术 思想意图 

分 类 号：K879.42[历史地理—考古学及博物馆学] J292.32[历史地理—历史学]