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作 者:李树军[1] Li Shujun(College of Literature,Liaoning University,Shenyang Liaoning 110036)
机构地区:[1]辽宁大学文学院
出 处:《沈阳师范大学学报(社会科学版)》2020年第1期54-59,共6页Journal of Shenyang Normal University(Social Science Edition)
基 金:教育部人文社会科学研究一般项目(18YJA751018)
摘 要:远行是先秦时代贵族生活的重要内容,《诗经》和《楚辞》中有大量的远行意象。《诗经》很多远行意象具有比兴的功能,是抒情言志的重要题材,而屈原“楚辞”中的远行意象则具有象征意义,内涵更加丰富,同时远行事件叙事也是屈原作品非常重要的结构方式。《诗经》中的远行意象往往选取现实生活中的物象、事象和人物形象,而屈原“楚辞”中的远行意象则往往选取神话中的形象,充满了想象和虚构。屈原“楚辞”远行意象同其经历和楚地文化密切相关,《诗经》则源于现实生活。屈原“楚辞”中的远行意象对《诗经》中远行意象传统既有继承又有所偏离。Long journey is an important part of aristocratic life in the pre-Qin period.In The Book of Songs,the images of long journey are very rich in materials,often selecting natural things,social things and characters in real life,while the images of long journey in Qu Yuan’s poems is often selecting mythological images,full of imagination and fiction.The feelings of travel images in The Book of Songs are various and complex,mainly expressing loving and devoting the royal court,missing parents.These images give a person the deepest impression,and deep influence on Qu Yuan.The images in Qu Yuan’s poetry usually not only express his feeling of loving his royal court,but also symbolize his ideas.The long journey narrative is also a very important structural way of Qu Yuan's works.The images in The Book of Songs originate from real life,and the images in Qu Yuan’s poetry are based on his experience and Chu’s culture and myth.Qu Yuan’s poetry not only inherits but also deviates from the tradition of long journey images in The Book of Songs.
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