元代婚恋民俗中媒妁习俗探析——关汉卿杂剧创作中的媒妁形象  

On the Marriage Folk Customs of the Yuan Dynasty——The Image of Matchmakers in Guan Hanqing’s Poetic Drama

作　　者：徐慧敏 Xu Huimin(Huaibei Normal University,Huaibei 235000,China)

机构地区：[1]淮北师范大学文学院

出　　处：《黑河学院学报》2019年第12期201-203,共3页Journal of Heihe University

摘　　要：《诗经·齐风·南山》:“娶妻如之何,匪媒不得。”“明媒正娶”“媒妁之言”的媒妁文化源远流长,是中国传统文化中极具中国特色的文化现象之一,更是约定俗成的、被广大民众所接受的民间文化,即民俗。在关汉卿的元杂剧创作中,塑造了许多才子佳人的艺术典型,期待以透过奔走于才子佳人婚事的中间人“媒妁”,探究元代蒙古族统治下,婚恋民俗中媒妁习俗的演变。The Book of Songs·Qi Songs·Nanshan says that“Taking a wife won’t do without a matchmaker”,which shows the media culture of“right and legal marriage”and“arranged marriage”has a long history.It is one of the cultural phenomena with Chinese characteristics in Chinese traditional culture,as well as a folk culture that is customary and accepted by the general public.In Guan Hanqing’s poetic drama,he has created many artistic examples of talented scholars and beautiful ladies.This article tries to explore the evolution of folk customs in the marriage under the rule of the Mongolian rule in the Yuan Dynasty by focusing on the“matchmakers”in marriage folks which go between talented scholars and beautiful ladies in Guan Hanqing’s poetic drama.

关 键 词：关汉卿 元杂剧 媒妁习俗 

分 类 号：I203[文学—中国文学]