破碎的摩崖:北宋诗人对《中兴颂碑》的多元演绎  

Fragmentary Stone Inscriptions:the Northern Song Poets? Interpretations of Da Tang Zhong Xing Song

作　　者：周裕 Zhou Yukai

机构地区：[1]四川大学文学与新闻学院

出　　处：《四川大学学报（哲学社会科学版）》2020年第1期169-178,共10页Journal of Sichuan University：Philosophy and Social Science Edition

摘　　要：浯溪石刻《大唐中兴颂》包含文学、史学、金石学的三大要素,同时满足了宋代士人多方面的精神需求,在宋代引发文人广泛兴趣。北宋诗人题《中兴颂》诗共计七首,可分为两大类型:在场的怀古和不在场的咏史。《唐鉴》对北宋诗人《中兴颂》诗中史评具有影响,而七首诗歌之间也存在互文性。同一石刻文本被诗人们任意地、多元地联想想象,演绎发挥,这符合中西方阐释学的一般原理和中国阐释学的一般原则。As a piece of the Wuxi Stone Inscriptions,the Da Tang Zhong Xing Song is imbued with literary and historiographical elements,offering insight into the study of inscriptions on ancient bronzes and stone tablets. This stone inscription fulfilled various aesthetic and spiritual needs of the Song dynasty literati,arousing increasing interest of scholars of the time. Seven Northern Song poets have composed Zhong Xing Song, or Eulogies for Restoration,which can be divided into two categories:Those site-based that recall antiquity, and those not site-based on various historical subjects. The Tang Jian had a great influence upon Northern Song poets working in historical subject matters,and each of these seven poems enjoys an intertextuality which is mutually informing. The Da Tang Zhong Xing Song,a single stone-inscribed text,served to inspire poets to freely associate,correlate imaginations in diverse ways,and bring further developing elements into play. We see here a viable hermeneutics in terms of both Western and Chinese hermeneutic principles.

关 键 词：浯溪摩崖 《大唐中兴颂》 北宋诗人 《唐鉴》 黄庭坚 张耒 

分 类 号：I207.22[文学—中国文学]