《费城故事》和《最爱》中的疾病隐喻机制  

The Metaphorical Mechanism of Illness in Philadelphia and Love for Life

作　　者：柯英 Ke Ying

机构地区：[1]苏州科技大学外国语学院

出　　处：《鄱阳湖学刊》2019年第6期73-82,127,共11页Journal of Poyang Lake

基　　金：国家社科基金项目“景观社会的思想者：苏珊·桑塔格视觉艺术文论研究”(12CWW002);江苏省高校青蓝工程项目;苏州科技大学师资培养科研资助项目

摘　　要：苏珊·桑塔格作品中有关疾病的论述和描写,与美国电影《费城故事》和中国电影《最爱》里的艾滋病叙事形成了一种互文关系,有助于我们更深入地理解疾病的隐喻机制。瘟疫是附加于艾滋病的主要隐喻,无论患者有无自身的过错都会遭受歧视和偏见。随着艾滋病被妖魔化,艾滋病人虽生犹死,承受着社会性死亡的痛苦。《费城故事》和《最爱》挑战禁忌题材,以不同的表现形式发出同样的呼吁:身体不应该成为各种隐喻的载体,我们需要打破疾病和健康的二元对立,摆脱疾病的隐喻。The intertextuality between Susan Sontag’s discussion and depiction of illness in her writings and the AIDS narrative in the American film Philadelphia and the Chinese film Love for Life helps us to deepen our understanding of the metaphorical mechanism of illness.As one of the leading metaphors attached to AIDS,plague brings discrimination and prejudice against AIDS patients no matter whether they are to blame or not.Moreover,due to demonization,AIDS patients suffer from social death even when they are alive.Philadelphia and Love for Life challenge the taboo subject in different ways but make the same appeal that the body should not be treated as the vehicle of metaphors and that we need to break the illness-health dichotomy so as to shake off the illness metaphor.

关 键 词：《费城故事》 《最爱》 疾病的隐喻 瘟疫 社会性死亡 

分 类 号：J905[艺术—电影电视艺术]