一束阳光:刘庆邦小说的审美救赎书写——以《鞋》《神木》与《东风嫁》为例  

A Beam of Sunshine: the Aesthetic Redemption Writing in LIU Qingbang’s Fictions Taking Shoes, Holy Wood and Marriage with East Wind

作　　者：许心宏 王慧洁 XU Xinhong;WANG Huijie(School of Arts,Anhui University of Finance&Economics,Bengbu,Anhui 233030,China;College of Literature,Shandong University,Jinan 250100,China)

机构地区：[1]安徽财经大学艺术学院,安徽蚌埠233030 [2]山东大学文学院,济南250100

出　　处：《重庆交通大学学报（社会科学版）》2020年第1期95-100,共6页Journal of Chongqing Jiaotong University:Social Sciences Edition

基　　金：国家社会科学基金一般项目“90年代以来打工妹生存转向叙事研究”(16ZBW028)

摘　　要：在刘庆邦的《鞋》《神木》与《东风嫁》等小说文本中,作者通过《鞋》的"初恋怀旧",《神木》的"底层沦陷"与《东风嫁》的"身份去污"的自传式、盲井式、自杀式人性救赎的审美书写,揭示了农村青年"农转非"身份转变,打工妹"返乡无望"与农民工"盲井式犯罪"的心理暗伤、生存病相与乡村隐疾,探究了制度性、阶层性、区域性造成的历史原因。在个案的经验叙事中,建构了人性救赎的米粒之光。In such fictions as Shoes, Holy Wood and Marriage with East Wind by LIU Qingbang, the significance of human salvation aesthetic writing has been represented in "nostalgia of first love" in Shoes, "fall at the bottom" in Holy Wood and "identity decontamination"in Marriage with East Wind by biographical, blind shaft and suicidal writing style, which reveals the psychological injury, the existence of survival disease and the unmentionable disease of the countryside via rural youth’s identity transformation of "non-agricultural household", female migrant workers’ "hopeless returning home" and rural migrant workers’ blind shaft crime. Then the historical deep cause of the system, the stratum and the culture are probed into based on city-country duality. In the case narration, a beam of sunshine is built towards the redemption of humanity.

关 键 词：城乡二元 “农转非” 盲井 打工妹 审美救赎 

分 类 号：I207.4[文学—中国文学]