中国文艺心理学研究中弗洛伊德理论的“简化”  

The Simplication of Freud’s Theory in the Research of Chinese Literary and Artistic Psychology

作　　者：周建永 Zhou Jianyong(Department of Literature,Capital Normal Univerciy,Beijing 100048;Department of Literature and Law,Tangshan University,Tangshan 063000)

机构地区：[1]首都师范大学文学院 [2]唐山学院文法系

出　　处：《心理学探新》2019年第6期487-490,共4页Psychological Exploration

摘　　要：在中国文艺心理学研究中,对弗洛伊德理论进行了简化。出现这一现象既和弗洛伊德理论结构庞大、复杂有关,也和国内相关资料不足和文艺学学者的学术取向有关。弗洛伊德理论的简化主要表现为本能理论的简化、心理人格/心理结构理论的简化和潜意识理论的简化。对弗洛伊德理论的简化,既有适当的取舍,同时也存在着忽视弗洛伊德理论复杂的心理学内涵和对弗洛伊德理论产生误读的问题。对弗洛伊德理论简化后的借鉴,一方面使中国的文艺心理学在文艺创作研究上有所突破,另一方面也导致了对弗洛伊德理论批判上的偏差和理论创新方面的不足。In the research of Chinese literary and artisticpsychology,Freud’s theory is simplified.Simplification is because of Freud’s theory being large and complex,the deficience of materials and the academic orientation of literary and artistic scholars.Simplification reflects in three respects:the theory of instinct,the theory of personality and the theory of unconscious.The complicatedconnotation of psychology is neglected and the misreading occurs in the reference to Freud’s theory.On one hand there are breakthroughs in the research about literary and artistic creation;on the other hand there is a deviation in criticizm and a lack of invention.

关 键 词：弗洛伊德理论 中国文艺心理学研究 简化 

分 类 号：B840.9[哲学宗教—心理学]