论《尘埃落定》中的边地特征  

On the Characteristics of Border Areas in Red Poppies( ChenAiLuoDing)

作　　者：王棱 WANG Ling(College of Liberal Arts,Southwest University,Chongqing 400715)

机构地区：[1]西南大学文学院

出　　处：《绵阳师范学院学报》2020年第1期117-123,共7页Journal of Mianyang Teachers＇ College

摘　　要：在多民族聚居的边远地区,由于远离汉儒文化的中心地带,加上自然地理状貌的独特与闭塞,形成了另类的边地文化,同时在接受了其他文化例如汉民族文化的一定影响后,造就了边缘地区特有的文化与风俗,建构了一个拥有独特异域文化色彩的生存空间,如湘西、边藏等。当一些作家对这种边缘文化进行描述和创造时,就孕育出了一种特别的文学与文化空间。仔细分析阿来的《尘埃落定》,能看出其浓郁的藏族文化特色,譬如其独特的地理位置、宗教文化氛围与悠久的民间色彩等等。本文从边地特征入手,探讨《尘埃落定》中的奇异色彩与神秘叙事。In the remote areas where multi-ethnic people live,as being far from the central area of Confusion culture,coupled with the unique and occlusive natural geography,the different border area culture was formed.Meanwhile,after influencing by the culture of other ethnics such as Han,the border area has formed unique culture and custom,and constructed a living space which with unique color of foreign culture,such as Xiangxi and Tibet.When some writers began to describe and create this kind of marginal culture,a special literal and cultural space was formed.When analyze A Lai's Red Poppies(Chen Ai Luo Ding),its rich cultural characteristics of Tibet was revealed,such as its unique geographical location,region culture and long history of folk culture.This paper will discuss the strange color and mysterious narration of Red Poppies from the characteristic of border area.

关 键 词：边地 宗教 民间色彩 神秘叙事 

分 类 号：I24[文学—中国文学]