用“中国”的方式讲述“中国”的故事——论杨少衡的新现实主义小说  

Tell Chinese Story in the Chinese Way——on Yang Shaoheng’s New Realism Novels

作　　者：曾丽琴[1] Zeng Liqin(Zhangzhou City College,Zhangzhou City,Fujian Province,363000)

机构地区：[1]漳州城市职业学院

出　　处：《黄河科技学院学报》2020年第1期68-74,共7页Journal of Huanghe S&T College

摘　　要：杨少衡擅长写中国当代基层政治生态与基层官员。他塑造了一系列有责任感、有担当、始终把人民与国家利益放在首位的基层官员,呈现了当代中国不断发展但仍需完善的政治文明与社会文化。他塑造的官员既有中国传统知识分子担纲天下的责任感,又有中国共产党人“执政为民”的高尚追求。在杨少衡的小说中,企业家形象几乎都是反面的,他们是中国当前负面政治生态与社会文化的强大催化剂。杨少衡对中国当代企业家形象的塑造有偏颇之处,但他无意识中触及了在中国如何限制新自由主义及中国“游民”性格如何改变的议题。杨少衡的小说运用了十分传统的讲故事技法,他重回现实主义的写法与对中国传统小说手法的借鉴,对“如何讲述新的中国故事”深有启示。Yang Shaoheng is good at describing the politics and officials in grass roots in contemporary China.He has created a series of grass-roots officials who have the sense of responsibility and always put the interests of people and the nation at first,and presents the political civilization and social culture that develop continuously in China yet still to be completed.The officials that he creates have not only the sense of responsibility for the world just like the“scholars”——Chinese traditional intellectuals,but also the noble pursuits of“governing for the people”as Chinese communist party members.In Yang Shaoheng’s novels,the image of entrepreneur is often negative,acting as the powerful catalyst for the negative political ecology and social culture in current China.Although Yang Shaoheng is somewhat biased when shaping the image of Chinese contemporary entrepreneurs,he unconsciously touches the topics such as how to limit the new liberalism in China and how to change the characteristic of Chinese“vagabonds”.Yang Shaoheng’s novels use the traditional skills of telling stories,his style of writing returns to realism and borrows the skills from Chinese traditional novel,which may have great enlightenment for“how to tell new Chinese stories”.

关 键 词：中国方式 中国故事 杨少衡 新现实主义 

分 类 号：I207.42[文学—中国文学]