莫迪亚诺《青春咖啡馆》的记忆叙事  

Memory Narration of Patrick Modiano’s In the café of Lost Youth

作　　者：翁冰莹[1] WENG Bing-ying(College of Foreign Languages&Cultures,Xiamen University,Xiamen 361005,Fujian)

机构地区：[1]厦门大学外文学院

出　　处：《厦门大学学报（哲学社会科学版）》2020年第1期166-172,共7页Journal of Xiamen University(A Bimonthly for Studies in Arts & Social Sciences)

基　　金：国家社会科学基金项目“记忆诗学视野下的莫迪亚诺小说研究”（18BWW066）

摘　　要：法国作家莫迪亚诺的小说《青春咖啡馆》以庄严、伤感的情绪书写了神奇的巴黎与迷失的主题,甫一问世就备受关注。借助哈桑"后现代主义"批评视角来审视之,莫迪亚诺通过不确定的时空、不确定的身份以及不确定的叙事者的叙事策略,树立起"记忆叙事"的不确定性;亦通过找寻家、找寻生活与找寻幸福的主题设定,构筑起女主人公露姬不断探究人生价值的深刻内涵。不仅如此,莫迪亚诺还借助"记忆叙事"策略,在面对"虚无主义"的危机之际不断超越内外、生死、自我与他者的绝对界限,试图建构起自我乃至自我世界的宏大愿景。In the café of Lost Youth(Dans le café de la jeunesse perdue, 2007), written by the French writer Patrick Modiano, portrays a magical Paris and lost youth in a solemn and sorrowful tone and has won critical acclaims since its release. From the perspective of Hassan’s "postmodernism" criticism, Modiano establishes the uncertainty of "memory narration" with uncertain time and space, uncertain identity and uncertain narrative strategy. He also constantly explores the profound value of life with the themes of searching for home, looking for life and finding happiness. With the "memory narration" approach, Modiano strives to construct a grand vision of self and even the world of self in the face of "nothingness". In doing so, he constantly surpasses the absolute boundaries of internality and externality, life and death, self and others.

关 键 词：后现代主义 莫迪亚诺 《青春咖啡馆》 记忆叙事 

分 类 号：I106.4[文学—世界文学]