灯，为何由“我”熄灭——论《灯，我来熄灭》对菲勒斯中心主义的解构  

Why Should I Turn off the Light?——The Deconstruction of Phallocentrism in Novel Things We Left Unsaid

作　　者：蒋宗萍 JIANG Zongping(School of Humanities,Shenzhen University,Shenzhen 518000,Guangdong,China)

机构地区：[1]深圳大学人文学院

出　　处：《安康学院学报》2020年第1期26-32,共7页Journal of Ankang University

摘　　要：佐雅·皮尔扎德创作的《灯,我来熄灭》具有较强的女性主义色彩。皮尔扎德首先揭示了菲勒斯中心主义话语统治下女性的生活困境,而后通过描写女性心理的成长及其对父权话语的反抗,实现了对菲勒斯中心主义的解构。皮尔扎德的解构策略集中于"熄灯"情节的几次叙述中,"熄灯"的行动是女性争取主动性和话语权的象征。除了解构菲勒斯中心主义外,皮尔扎德自身用女性写作的方式表达了女性欲望及女性追求平等权利的期许,成功建立起新的、属于女性的话语。The novel Things We Left Unsaid by Zoya Pirzad has a strong Feminism color. Pirzad shows the dilemma of women who are ruled by the phallocentric discourse. Then she tries to deconstruct the phallocentric discourse by describing the development of a woman’s psychology and activities. Pirzad’s thought concentrates on a small plot:the main character Clarice always chooses to turns off the light.This plot is the symbol that symbolizes woman can fight for their discourse power. Besides,she uses the way of female writing express the desires and hopes of women. And she constructs a new discourse which belongs to women in her works.

关 键 词：佐雅·皮尔扎德 《灯 我来熄灭》 菲勒斯中心主义 女性主义 

分 类 号：I106.4[文学—世界文学]