东京国立博物馆保管十一面观音像（多武峰旧藏）研究（上）  

The Eleven-faced Avalokitesvara Statue Originally Collected in Tōnomine and Now Kept in Tokyo National Museum （Ⅰ）

作　　者：松田诚一郎 王云(译) MATSUDA Seiichiro;WANG Yun(Department of Aesthetics and Art History,Faculty of Fine Arts,Tokyo University of the Arts,Tokyo,Japan;School College of Humanities,Central Academy of Fine Arts,Beijing 100005)

机构地区：[1]东京艺术大学美术系,日本东京 [2]中央美术学院人文学院美术史系,北京

出　　处：《敦煌研究》2019年第6期1-16,共16页Dunhuang Research

摘　　要：文章围绕东京国立博物馆保管十一面观音像(多武峰旧藏),从其图像、形式、风格以及文献等方面展开讨论,认为此像忠实地反映了与"檀像"概念形成密切相关的《十一面经》的造像法,是唐代略晚于7世纪中期(与《十一面经》第一译、第二译出现的年代相当)的中央地区的作品。This article is an in-depth study of the Eleven-faced Avalokitesvara statue kept in Tokyo National Museum,which was originally collected in Tōnomine in Nara,and seeks to understand the elements of this artifact’s iconography,form,style,and literary source material.The statue shows an almost word-to-word conformity with descriptive passages in the Ekādasamukha-sūtra,which is closely related to the formation of the concept of dansō(sandalwood statue)in Buddhist art.The author conjectures that the statue was a work by members of a prominent group of sculptors in the Chinese continent,and was made in the Tang Dynasty sometime after the middle of the 7th century when the old and new translations of the Ekādasamukha-sūtra were successively created.

关 键 词：檀像 白旃檀 十一面观音 数珠 璎珞 阿地瞿多 玄奘 神泰 定慧 《十一面神咒心经》 《十一面观世音神咒经》 《陀罗尼集经》 印度 唐 长安 慧日寺 日本 多武峰 

分 类 号：K879.21[历史地理—考古学及博物馆学]