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作 者:丛溆洋 CONG Xu-yang(Northwest University for Nationalities,Lanzhou,Gansu 730030,China)
机构地区:[1]西北民族大学文学院
出 处:《贵州民族研究》2019年第12期125-131,共7页Guizhou Ethnic Studies
基 金:西北民族大学研究生科研(实践)创新项目“明清云贵少数民族文学家族与政治的关系研究”(项目编号:Yxm2018001)的阶段性成果
摘 要:中国少数民族民间长诗作为民间文学的一个门类,普遍存在于我国各少数民族文学创作中。各少数民族民间长诗在主题选择、艺术手法、价值取向等方面体现出了极大的相似性。同时,在审美及思维方式方面又有着明显的地域性及民族性,进而使各少数民族民间长诗从整体上呈现出"同中存异,异中有同"的多元谐同发展的格局。究其原因,从深层意义来讲,呈现的共性是因其同处于相同的社会形态现实,异是缘于文化的不可通约性。As a kind of folk literature, the long folk poems of Chinese ethnic minorities generally exist in the literary creation of Chinese ethnic minorities. The long folk poems of various ethnic groups show great similarities in theme selection,artistic techniques, value orientation, etc. At the same time, it has obvious regional and national characteristics in the aspect of aesthetic and thinking mode, which makes the long folk poems of all ethnic minorities present the pattern of multiple harmonious development of "the same while reserving the differences, the same in the differences". The reason is that, in a deep sense, the commonness is due to the fact that they originate from the same social reality, while the difference is due to the incommensurability of culture.
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