东方音乐文化研究的学科范畴与理论方法  

The Discipline Category and Theoretical Method of Oriental Music Culture Research

作　　者：钱建明[1] Qian Jianming

机构地区：[1]南京艺术学院音乐学院

出　　处：《南京艺术学院学报（音乐与表演版）》2019年第4期10-15,I0002,共7页Journal of Nanjing Arts Institute:Music & Performance

摘　　要：从民族音乐学的前身"比较音乐学"所涉及的研究对象、范畴和目的等来看,东方音乐作为"非欧"文化元素进入人们的学术视野已逾百年。面对世界经济文化格局的多级变化,如何加速构建包括中国"话语"在内的东方音乐文化理论体系,不仅从一个重要侧面体现出民族音乐学学科属性及学理地位之特色与作用,更是中国文化加速走近世界、融入世界文化圈的新的机遇的需要。From the perspective of the research object, category, and purpose of comparative musicology, the predecessor of ethnomusicology, Oriental music, as a non-European cultural element, has entered the academic vision for more than a century. Facing the multi-level changes in the world economic and cultural structure, how to accelerate the construction of the theoretical system of oriental music culture, including China’s "discourse", not only reflects the characteristics and functions of the subject attributes and academic status of ethnomusicology from an impor tant aspect, but also the needs of new opportunities for Chinese culture to accelerate its integrate into the world cultural circle.

关 键 词：东方音乐 民族音乐学 音乐表征 文化语境 

分 类 号：J6O5[艺术—音乐] J607