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作 者:陈沙沙 Chen Shasha(Institute of Literature,Southwest University,Chongqing 400715,China)
机构地区:[1]西南大学文学院
出 处:《六盘水师范学院学报》2020年第1期40-45,共6页Journal of Liupanshui Normal University
摘 要:《没有纽扣的红衬衫》中反复出现的"文革"记忆多被悬置,然而这正是作者于后革命时代的反思基点。这些"文革"记忆附着在韦婉及安然父母等人的思想中,并"塑造"、束缚着新一代的安然们。家庭、学校和社会共同编织着中学生安然的日常生活,小说通过对现实生活的叙述展示了安然成长环境中的多重规约,从而具有广泛的社会意义。作者对安然性别身份的强调和对"文革"记忆的反思,本质上是对于人性的认知和新时期对人性解放的期待。从根本上而言,《没有纽扣的红衬衫》表达了铁凝对特殊时代独到而深刻的反思。The memories of"the Great Cultural Revolution",which appeared many times in Red Shirt Without Buttons,were rarely mentioned.However,these memories constituted the basis that inspired the writer to reflect on"inhuman"age in the post-revolutionary era.These memories were deeply rooted in the minds of Wei Wan and An’ran’s parents,thereby"Shaping"and binding the new generation of An’rans.As a middles school student,his life was facilitated by family,school and society together.The novel,by means of narrative on reality life,demonstrates the fact that An’ran was faced with multiple restrictions in his growth environment,thus embodying wide social significance.In essence,the writer’s emphasis on An’ran’s gender identity and reflection on the memory of the"Great Cultural Revolution",is to reveal the recognition of human nature and the expectation of human nature liberation in new era.Fundamentally,Red Shirt Without Buttons expresses Tie Ning’s unique and deep reflection on the special era.
分 类 号:G644[文化科学—高等教育学]
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