战争记忆的文学回溯  

Literature Review of War Memories

作　　者：王立宏[1] 张海新 WANG Lihong;ZHANG Haixin(Liberal arts,Mudanjiang Normal University,Mudanjiang,Heilongjiang,157011,China)

机构地区：[1]牡丹江师范学院文学院

出　　处：《牡丹江师范学院学报（社会科学版）》2020年第1期103-111,共9页Journal of Mudanjiang Normal University(Social Sciences Edition)

基　　金：黑龙江省社科基金项目(18WWB114);黑龙江省优势特色学科项目“DF-2017-10233-牡丹江师范学院-01-地方语言文学”

摘　　要：哈金的长篇小说《南京安魂曲》,依托战士魏特林个人的真实经历,重构了侵华战争背景下,日军发动南京大屠杀导致的集体的历史记忆。作为一部战争史诗,《南京安魂曲》利用文学反映历史,再通过历史折射现实,实现文学与历史的交错共生,赋予历史以文学价值。本文采用新历史主义的视角,深入解读作者以文本的方式再现和延伸南京大屠杀那段几乎被尘封的战争记忆。立足文本的历史性、历史的文本性与战争历史的文学反思,全面阐释哈金力图通过文本挖掘真相、厘清记忆的深层内涵,为漠视罪行的“凶手”及漠然处之的“受害者”敲响一记警钟。Based on the soldier Weitling's personal real experience,the American Chinese writer Hakim's novel Nanjing Requiem reconstructs the collective historical memory caused by the Japanese army's Nanjing Massacre under the background of the invasion of China.As a war epic,Nanjing Requiem reflects history through literature,and reflects reality through history to realize the interlacing symbiosis between literature and history so as to endow history with literary value.This article deeply interprets the author's reproduction and extension of the memory of the Nanjing massacre from the perspective of neo-historicism.Based on the historicity of the text,the textuality of history and the literary reflection of war history,the author fully explains Hakim's attempt to dig out the truth and clarify the deep connotation of memory through the text,thus sounding a wake-up call for the"murderer"who ignores crimes and the"victim"who accepts the reality.

关 键 词：哈金 《南京安魂曲》 新历史主义 战争文学 

分 类 号：I712.074[文学—其他各国文学]