纸马艺术的文化价值述评  

A Review on the Cultural Value of Zhi Ma

作　　者：万惠玲[1,2] Wan Huiling

机构地区：[1]蚌埠学院艺术设计学院 [2]东南大学艺术学院

出　　处：《图书与情报》2020年第1期140-144,F0002,F0003,共7页Library & Information

基　　金：安徽省哲学社会科学规划项目“安徽民间木刻纸马图式遗存的文化价值研究”(项目编号：AHSKY2018D82);安徽省社会科学创新发展研究项目“非遗视阀下安徽民间纸马遗存的文化传承及创新路径研究”(项目编号：2018CX087);高校优秀中青年骨干国内外访学重点项目(项目编号：gxfx ZD2016278);国家级创新创业项目“纸马艺术衍生的超萌偶玩具捏塑再设计”(项目编号：201911305025)研究成果之一

摘　　要：中国纸马文化作为非物质文化遗产,历经千年,融中国传统信仰观念、民俗文化与艺术创造为一体,成为中国木版画文化遗产中丰富而复杂的类别。纸马多见诸于民间,俗信所用,产地颇多,其艺术审美可谓是殊有稚气、蔚成大观。纸马不仅具有拙趣的艺术特征,更具有重要的尊崇功用、教育功用、审美功用的文化价值。新时代国际视野下由于艺术领域的拓展纸马艺术符号有着更广阔的传承应用与流播空间。As an intangible cultural heritage,Chinese Zhi Ma culture belongs to folk woodblock prints.After more than a thousand of years,it has integrated Chinese traditional beliefs,folk culture and art creation into one,and becomes a rich and complex category of Chinese woodcut cultural heritage.Zhi Ma is usually used in folk,and as a carrier of popular faith,it is produced in many different places.It looks childish at first glance,but makes grand view.With its art aesthetic can be said to be particularly childish,into a great view.Paper horse not only has the artistic characteristics of dull fun,it has important cultural value of veneration,education and aesthetics.In the new era,due to the expansion of art field,Zhi Ma art symbol has a broader space for inheritance,application and circulation.

关 键 词：木版画 纸马 文化价值 传承应用 

分 类 号：J217[艺术—美术]