电影《刺客聂隐娘》互文性阐释  

Intertextual Interpretation of the Film The Assassin

作　　者：蔡丹[1] CAI Dan(College of Liberal Arts,Xizang Minzu University,Xianyang Shaanxi 710028,China)

机构地区：[1]西藏民族大学文学院

出　　处：《安徽广播电视大学学报》2020年第1期88-91,共4页Journal of Anhui Radio & TV University

基　　金：西藏民族大学校内立项课题“唐传奇《聂隐娘》接受研究”(项目编号:19MDY18)

摘　　要：侯孝贤导演的电影《刺客聂隐娘》与前文本唐传奇《聂隐娘》、典故“青鸾舞镜”、唐代史料以及侯孝贤其他代表作品之间都有着不同程度的相关联。以互文性阐释作品,对电影文本《刺客聂隐娘》与传奇文本《聂隐娘》、“青鸾舞镜”、唐代史料和侯孝贤其他影视作品之间的关系进行细致剖析,着重探究其中所蕴含的互文精神,对进一步理解作品有着重要意义。The film The Assassin directed by Hou Hsiao-Hsien is influenced to a certain extent by the former Tang legend The Assassin,the story of The Dragon and the Luan Dance,historical materials of the Tang Dynasty and other representative works of Hou Hsiao-Hsien.This paper focuses on the intertextuality of the works,and makes a detailed analysis of the relationship betweem the film version The Assassin and the legendary version The Assassin,the story of The Dragon and the Luan Dance,historical materials of the Tang Dynasty and Hou Hsiao-Hsien’s other films and TV works,to explore the intertextuality which can help further understand the film The Assassin.

关 键 词：《刺客聂隐娘》 《聂隐娘》 “青鸾舞镜” 侯孝贤 互文性 

分 类 号：I106.35[文学—世界文学] J905[艺术—电影电视艺术]