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作 者:施琴[1] 董苗苗 SHI Qin;DONG Miao-miao(East China University of Technology Grammar school,Nanchang 330013,China)
机构地区:[1]东华理工大学文法学院
出 处:《宜春学院学报》2020年第1期64-67,78,共5页Journal of Yichun University
基 金:江西省高校人文社科重点研究基地招标项目“明清戏曲改编研究工作——以文本传播为例”(项目编号:15XJ06)
摘 要:傩,俗称傩戏,被称为中国戏曲的“活化石”,历经2000多年不衰,现今流传较广的地域主要是江西、福建、湖南湖北、四川、贵州、甘肃等地,这些地方的傩同宗同源,在傩祭仪式等方面有一定相通之处,但具体到细处,如傩祭宗教性的强弱、傩舞动作配乐、傩服饰、傩面具等方面差异较明显。江西南丰石邮傩被学界称为我国已知现存最古老的傩;贵州德江素有“傩戏之乡”的称号,具有显著的民族特色和地区特色,以二者为例,挖掘它们在以上几方面的不同表现,探寻地域风俗、文化、经济等在傩戏发展过程中的影响。Nuo,known as the“living fossil”of Chinese opera,has lasted for more than 2000 years.At present,it is widely spread in Jiangxi,Fujian,Hunan,Hubei,Sichuan,Guizhou,Gansu and other places.These places share the same ancestry and have some similarities in the religious aspects of Nuo ritual,but they fall into details,such as Zong.There are great differences in the strength of teaching,Nuo dance movement music,Nuo costumes,Nuo masks and so on.Nanfeng shiyou nuo is known as the oldest known nuo in China.Dejiang of guizhou is known as the“hometown of nuo drama”,which has significant national and regional characteristics.Taking the two as examples,this paper explores their different performances in the above aspects and explores the influence of regional customs,culture and economy on the development of nuo drama.
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