景德镇明末民窑写意青花山水意境探析  

Artistic Conception of Jingdezhen Blue and White Freehand Landscape Painting in Late Ming Dynasty

作　　者：吴庆文 詹伊梨 张弛衡 WU Qingwen;ZHAN Yili;ZHANG Chiheng(Jingdezhen Ceramic Institute,Jingdezhen 333403,Jiangxi,China)

机构地区：[1]景德镇陶瓷大学

出　　处：《中国陶瓷工业》2019年第6期40-42,共3页China Ceramic Industry

基　　金：江西省社会科学“十三五”（2019）规划项目(19WT20)

摘　　要：景德镇明末民窑写意青花山水自然、简洁,洒脱、飘逸,意境奇妙,体现了文人画的艺术特色。绘画者通过山水景象表达思想情感,反映人们向往淳朴、自然田园生活的精神追求。本文从景德镇明末民窑写意青花山水的艺术表现诠释其深邃的意境。Freehand blue and white landscape painting of late Ming Dynasty from Jingdezhen is natural, concise, free and graceful in style. Its wonderful artistic conception embodies the characteristics of literati paintings.The painter expresses through the depiction of landscape his own feelings and people’s yearning for a simple, idyllic life in nature. This paper interprets theartistic conceptions of Jingdezhen blue and white freehand landscape paintings in late Ming Dynasty from their artistic depictions.

关 键 词：景德镇 山水图 明末民窑写意青花 意境 

分 类 号：TQ174.74[化学工程—陶瓷工业]