论抗战时期沪剧的形成与发展  

The Formation and Development of Huju during the Anti-Japanese War

作　　者：王婉如 WANG Wanru

机构地区：[1]上海师范大学 [2]上海宋庆龄故居纪念馆

出　　处：《戏剧艺术》2019年第6期76-76,77-86,共11页Theatre Arts

摘　　要：沪剧在抗日战争时期发生了多个里程碑事件。当时的沪剧艺人们充分发挥沪剧的优势,从社会现实生活中取材,贴近观众,扬长避短,开拓出了一条独树一帜的发展道路。那段时期,沪剧通过电台播唱的方式走进听众的生活;沪剧艺术在剧场中成熟,时装戏风靡沪上;沪剧专业刊物发行,剧迷参与沪剧改良;1939年"业余社"票房成立,架起沪剧和观众的桥梁;沪剧"立名",剧本制和导演制代替了幕表制。在这样的情况下,沪剧不仅避免了战争的摧残,还得到了繁荣和发展。Crucial events during the Anti-Japanese War formed milestones in the history of Huju.Actors of that time drew from the reality stories that were adjacent to the real lives of the audience members. Bringing the advantages of Huju into full play,the actors led Huju onto a unique path.Huju entered the life of the audience by means of radio broadcasting. As it matured in the theatres,Huju in fashion costumes was all the vogue in Shanghai. Professional journals were published and Huju fans participated in the reform of Huju. In 1939,"The Amateurs",a club for amateurs was founded,and it proved to be a bridge between Huju and its audience. Huju "gained its proper name" when the convention of scene plots was substituted by scripts and directors. In that context,Huju was spared from the cruelty of the war and developed into a new stage.

关 键 词：抗日战争 戏曲 沪剧 申曲 

分 类 号：J80[艺术—戏剧戏曲]