陈古虞戏曲表演理论发微  

A Discussion of CHEN Guyu’s Acting Theories of Traditional Chinese Xiqu

作　　者：俞永杰 YU Yongjie

机构地区：[1]上海戏剧学院图书馆

出　　处：《戏剧艺术》2019年第6期115-124,共10页Theatre Arts

基　　金：“上海戏剧学院高水平地方高校(学科)建设项目”的阶段性成果

摘　　要：陈古虞教授是1952年全国高校院系调整后上海戏剧学院首批戏曲理论教师,在昆曲表演、订谱和戏曲史论教学上有很深的造诣。他具有中西戏剧结合考察的能力,对中国古典戏曲研究精深;他能在艺术实践的基础上,将理论赋予鲜活的艺术形象,在戏曲表演理论方面见解独到。陈古虞教授高水平的昆曲综合能力,获得了王季思、赵景深、万云骏、俞琳、欧阳予倩等当代戏剧大家的充分肯定,是当代戏曲学界中一位名声不大、行事低调却功力深厚的昆曲家。本文就他可见的文章或讲稿,专析其在戏曲表演理论上的成就。CHEN Guyu was the first professor of Xiqu theory in Shanghai Theatre Academy after the Rearrangement of Colleges and Departments in 1952. He had made great contributions to studies of Kunqu Acting,the edition of scores,and the teaching of Xiqu history. Well versed in Chinese and Western theatre,he made in-depth research of Xiqu. On the basis of artistic practice,CHEN drew connections between theories and vivid theatrical images,and produced his unique theories on the Acting of Xiqu. CHEN’s research was praised by WANG Jisi,ZHAO Jingshen,WAN Yunjun,YU Lin,OUYANG Yuqian and other prominent scholars. CHEN had been a low-key scholar who pursued not fame but academic height. This paper discusses CHEN’s contributions to theories of Xiqu Acting.

关 键 词：陈古虞 戏曲 表演理论 

分 类 号：J80[艺术—戏剧戏曲]