“彩管部队”：侵华战争时期日本随军画家研究  

“Saikan Army”:A Study of Japanese Army Painters during Sino-Japanese War

作　　者：李亚航 

机构地区：[1]南京大学历史学院

出　　处：《历史教学（下半月）》2020年第1期58-66,共9页History Teaching

摘　　要：侵华战争期间,日本内阁发起了国民精神总动员运动,以纠集全国力量支援战争。在此过程中,大批画家经日本陆海军组织派遣,随军前往中国进行侵略战争"记录画"的创作,并美其名曰"彩管报国"。他们虽目睹了日军侵略的暴行,但绝大多数接受了军国主义和法西斯主义的洗脑,创作了一系列绘画,弘扬日军"辉煌战绩",捏造日军占领地"祥和"景象,鼓吹"大东亚共荣",宣扬"为国牺牲",成为当时日本美术界的主流。During the Japanese invasion of China, the Japanese government launched the National Spiritual Mobilization Movement to spiritually support the war nationwide. A large number of painters were dispatched by the Japanese Army and Navy as war artists. They went to China to carry out the creation of war record paintings, naming their actions as"Cluster to the Country".Most of them have accepted the brainwashing of militarism and fascism. Although they had witnessed the atrocities of Japanese military aggression, they still created a series of paintings,promoting the"Glorious Record"of the Japanese army, fabricating a"harmonious"scene of the Japanese occupation, advocating "Great East Asia", and proclaiming sacrifice for the country. These became the mainstream of Japanese art world at that time.

关 键 词：侵华战争 随军画家 战争记录画 

分 类 号：K313[历史地理—历史学]